Technology directly affects our perceptive capacity, influencing the construction of the oniric surrounding , built in the alternate hyperrealist narratives. The objects and the surroundings are experimented trough their properties and our perception of their substance, by means of our biological sensors or trough technological interfaces that increment our sensorial capacity. Representing a paradox in the understanding and validation of reality, that fluxes trough different energetic processes, to been perceived as a non accidental construction, but in a context of order and chaos, with a beginning and an end.
Construction of objects is done by autonomous principles or dependent of another autonomy, and its designation of materiality feeds from its relational dichotomy between existence and its nullity. The surroundings and the objects are in fluctuation , its materiality is intrinsically related to the perceptive lecture and the acquired dynamic understanding, Reality is constructed in the synapses activated by the direct fluctuation of information, received by the sensors or in the lucidity of the collective mnemonic activity.
HoloDecon is an Interfered Perception Dispositive, constructed by the modification of cellular phones, used to activate alternate perceptive channels, in a trajectory that talks to the nature of impermanent as an experience of conditioned phenomenon to the understanding of substance. It offers a narrative, oriented to a sustainability ecotropism, balanced between the organic and inorganic, the tangible and the intangible.
Arcángel Constantini produces work of a marked ludic-experimental nature, strongly influenced by the fortuitous, chaotic processes of the city as reflected in the systematic use of error aesthetics. His work and artistic practice explore the dynamics of visual and sound works, low-tech installations, propaganda action, visual/sound performance, hardware hacking, physical computing, installation, sound art and net art.
As an Independent curator, Constantini has been developing the program of Cyberlounge at Museo Rufino Tamayo since 2001, was part of the curatorial team for Transitio Mx Electronic Art Festival and is part of Darkbot Mexico City Council. Holder of the Prize for Best Multimedia Work at Vidarte, Video and Electronic Arts Festival, CENART (Mexico City, 1999); and the Bronze Prize for his project 123456789px.htm, MCMOGATK, Machida City Museum of Graphic Arts, Tokyo and Art on the Net, 1999. Also first price for Atari-Noise at Interference Festival France 2000, he is part of Sistema Nacional de Creadores Fonca grant and in 2002 received the Rockefeller / Macarthur Grant for new media production. Director of ¼ www.un-cuarto.org - an independent electronic art exhibition and laboratory, his work has been present in countries like Peru, Germany, Holland, Japan, Italy, Canada, United Kingdom, France, Uruguay, Brazil, Australia, Spain, Korea, Puerto Rico, Brasil.